Last Sunday (15th September 2013)
during Heritage Open Day, My wife and I were fortunate enough to
attend an 'Hard-Hat' inspection of The Newman Brothers Coffin
Fittings Works at Fleet Street in the Birmingham Jewellery Quarter.
Now I'm currently going through a bit of a love
affair with the Jewellery Quarter in Birmingham truth be told, so I
was really quite excited to visit this place which is
on course for being a real heritage treasure for the community.
The factory was built in 1874 and is Grade II
listed. It has achieved celebrity status whilst it was
open, and again when it was closed. When the factory was operating it
produced fittings for the coffins of Winston Churchill, Joseph
Chamberlain and Diana, Princess of Wales. When closed it attracted
the attention of the BBC, reaching the finals of the first
'Restoration' series in 2003.
The place is similar to the Smith and Pepper
Jewellery Works (which is now the Museum of the Jewellery Quarter) in
the sense that when the factory closed (in 1998), it was abandoned
with all fixtures and fittings intact.
The building fell into extreme dilapidation, and it has been quite a challenge to find the money to restore the building sympathetically. To this end, The Birmingham Conservation Trust has been working hard over the past ten years in order to raise the funds. For the most part this has been achieved (although a few extra quid wouldn't come amiss if you feel like donating something!), and the target for opening the building to the public generally appears to be on-track.
The building fell into extreme dilapidation, and it has been quite a challenge to find the money to restore the building sympathetically. To this end, The Birmingham Conservation Trust has been working hard over the past ten years in order to raise the funds. For the most part this has been achieved (although a few extra quid wouldn't come amiss if you feel like donating something!), and the target for opening the building to the public generally appears to be on-track.
Naturally in these days of nobody giving a stuff about
history, the project needs to pay for itself from the word go. So parts of the
building will be converted into units for workshops / offices for
'creative' companies. There will also be a heritage centre for
history nuts like me!
In order to get to the Coffin Works, we had to
travel through Newhall Street, past the site of the old Birmingham Museum of Science and Industry. I couldn't resist taking a photograph
of the site as it is now. Nostalgia folks who consider that the
expensive and superficial 'ThinkTank' project a bad move (with its whizz-bang, its primary colours, its
buzzwords, and very little else) may choose to weep here:
Upon arriving at the Coffin Works (an hour early),
We were greeted by a friendly face who informed us that we could join
the current tour in order to save us waiting for the next one. Ah,
there are humans here!
On entry (after each being issued with a
reflective jacket and hard hat) the group were made welcome by
members of the Birmingham Conservation Trust, and also by Ian and
Chris from the restoration company Fairhurst Ward Abbots Ltd.
This company are dealing with the methodical reconstruction of the building. Like all enthusiastic people, Ian and Chris were positively brimming over with information to impart - supplemented with a healthy dose of history from Barbara Nomikos who spoke about (and shown) some of the wonderful artefacts discovered in the factory. These treasures are being catalogued and researched even as you read this, and will make fascinating viewing when the heritage centre opens in 2014. Here are some photographs that we took of the industrial wonders to be found at the site during the event:
This company are dealing with the methodical reconstruction of the building. Like all enthusiastic people, Ian and Chris were positively brimming over with information to impart - supplemented with a healthy dose of history from Barbara Nomikos who spoke about (and shown) some of the wonderful artefacts discovered in the factory. These treasures are being catalogued and researched even as you read this, and will make fascinating viewing when the heritage centre opens in 2014. Here are some photographs that we took of the industrial wonders to be found at the site during the event:
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Photographs were also taken by Tracey during the talk. Tracey is another BCT volunteer. With all the flash-guns going off due the subdued lighting
conditions, some of the non-camera attendees must have thought that they were attending a Rock
Concert: Sorry!
I would like to wish all the very best and to thank all
those involved on the day for making us feel so welcome, treating us
like adults, and allowing us to have a share in one of the most
exciting heritage projects to grace Birmingham for quite some time. I
will be following this project closely, and will report more on
the project via this blog as and when.
I must say that it is such a fantastic change to spend a heritage
day actually learning something, rather than just pointing and gawping. To all of you history buffs out there, this project is
seriously worthy of your support. If you are able to help in any way,
please don't hesitate! the Birmingham Jewellery Quarter scores yet again!
STOP PRESS!
Birmingham Conservation Trust are holding a talk about The Coffin Works on 1st October 2013 at the Birmingham and Midland Institute. Full details here. Don't miss it!
STOP PRESS!
Birmingham Conservation Trust are holding a talk about The Coffin Works on 1st October 2013 at the Birmingham and Midland Institute. Full details here. Don't miss it!
Links and further reading:
The Birmingham Conservation Trust website has some fantastic
blog pages on the Coffin Works, with
lots of additional photographs taken at various stages throughout the
restoration project. Of particular interest are the pages dealing
with the early restoration works,
and the archive material found in the building.
There are also additional reports on the hard hat
day here and here, and more photographs available form this site.
Photographs and Videos taken by Graham and Yvonne
High, © 2013.
